Every visual,
from one key.
Five ways to make a picture or a clip, on the same key as everything else. Start from a product photo you already own, or from a sentence. Most of our own work starts with the photograph, because you have already paid for it.
The case
The raw material was never the problem. Turning it was.
Video is the format. Shooting it is the bottleneck.
Every platform now rewards video and punishes stills. But a shoot means a studio, a crew, a model, and a week of turnaround for each product. For a catalogue of any size that maths never works, so most sellers simply post the photo and accept the reach they get.
Where it fits
This is what feeds the live streams.
We built this into our own workflow first. Product close ups, 360 degree turns and B roll for live shopping all come out of the same pipeline. If you are running AI Live Streaming with us, this is where the visuals come from.
Features
Five ways to make a visual. All on the same key, priced by what you actually generate.
Image to video
Shot once. Cut as many times as you need.
A catalogue becomes a content library.
Feed in the product photography you already paid for and get motion back: camera drift, changing light, a scene that breathes. Enough to stop a thumb. Priced per second of footage rather than per token, so the cost of a campaign is something you can work out before you commit to it.
Text to video
Not every frame in a campaign has to contain the thing you sell.
Footage for the shot you cannot stage.
Describe it and get it back. B roll, scene setting, a location you have no access to, an angle that would need a rig and a permit. Most useful when the product is not the subject and the mood around it is, which is the footage a small team never has time to shoot.
Text to image
Show the idea. Do not describe it.
See the idea before anything reaches a camera.
Campaign visuals, backgrounds and concept frames from a written brief. This is cheapest at the very start, while you are still deciding what the campaign looks like, because every version you can put on a screen is an argument you do not have to have in a meeting.
Image to image
Variants are for learning. Not for filling space.
One shot, restyled into a set.
Recolour, restyle or reframe something you already have. A single product photo becomes the variants you need for testing, in the same light and the same session, so the only thing changing between them is the thing you are actually testing.
Upscale
The photograph was fine. The screen changed.
Rescue the back catalogue instead of reshooting it.
Product shots taken for a website that was 800 pixels wide do not hold on a phone today. Upscaling brings them back to a size that survives a full screen, which is usually cheaper and far faster than getting every product back in front of a camera.
Stills into motion. The oldest trick in the book, done quickly.
Tell us what you sell. We will tell you what to automate first.
Monday to Friday, 9:30am to 6:00pm